• Fiona McIntosh: Voyager Author of the Month

    Fiona McIntosh was born and raised in Sussex in the UK, but also spent early childhood years in West Africa. She left a PR career in London to travel and settled in Australia in 1980. She has since roamed the world working for her own travel publishing company, which she runs with her husband. She lives in Adelaide with her husband and twin sons. Her website is at www.fionamcintosh.com.

    Her latest book, The Scrivener's Tale, is a stand-alone and takes us back to the world of Morgravia from her very first series, The Quickening:


    About The Scrivener's Tale:

    In the bookshops and cafes of present-day Paris, ex-psychologist Gabe Figaret is trying to put his shattered life back together. When another doctor, Reynard, asks him to help with a delusional female patient, Gabe is reluctant... until he meets her. At first Gabe thinks the woman, Angelina, is merely terrified of Reynard, but he quickly discovers she is not quite what she seems.

    As his relationship with Angelina deepens, Gabe's life in Paris becomes increasingly unstable. He senses a presence watching and following every move he makes, and yet he finds Angelina increasingly irresistible.

    When Angelina tells Gabe he must kill her and flee to a place she calls Morgravia, he is horrified. But then Angelina shows him that the cathedral he has dreamt about since childhood is real and exists in Morgravia.

    A special 10th Anniversary edition of her first fantasy book, Myrren's Gift, will be released in December!

     

     

How to Write What You -Don’t- Know

Monster Dragon from How to Train Your Dragon

The adage write what you know works well for how-to manuals, cookbooks, auto repair guides or medical text. With such topics, writers need a certain level of expertise. When it comes to speculative fiction, however, it’s another story. No one on Earth can know what a were-beast, off world portal or post apocalyptic witch is really like until the author creates it from the blank page. Sometimes that process can be a challenge so I’ve put together four quick tips for writing what you don’t know.

Tip #1: Research. If you have a world that is primarily desert, you don’t have to live in the Sahara to write it convincingly (just ask Glenda Larke!). You do have to ‘know’ what it is like to have three millimetres of rain a year and dust storms so blinding you can get lost between your camel and your tent. In other words, research the ecology of desert life. You can’t have bright green grass and furry platypuses, unless you explain a turf that goes eleven and a half months without water and a river mammal that swims in sand.

Tip #2: Savvy proofreaders. Research can take the place of direct experience, especially in world building, but there are exceptions. Horses are one. If you don’t know horses, you can learn about them, but if they are going to do more than graze in the paddock, you’ll need a proof-reader with horse sense to check your work. Readers who are also riders will spot ineptitude a mile away. Jolt! If it’s going to be a feature in your novel, get an expert to proof and/or offer technical advice.

Tip #3: Hands on. If you’re going to give some art, animal, dance, ritual, music or machine a big role in your script, immerse in it, hands on! As a bonus, your life will become richer for the experience. In my first two series, I researched quantum computing, physics theory, geo-engineering, bio-engineering and were-animal mythologies. I joined a local dojo and learned to wield a sword. Already on board were things like felines, horses, witchcraft, magic, astrology, gender studies and astral travel. I wove together the elements that were second nature to me with the ones I studied and learned. Anything else, like falconry, was proofread by an expert in the field.

Tip #4: Start with a grain of truth. No matter how wild and farfetched your story becomes, that grain of truth is what you build on and what will give your prose more weight. In my most recent series, Quantum Encryption, a main character takes my love of the Gray Wolf, an endangered species, and comes up with a solution to their looming extinction. I also look at possible results from geo-engineering projects that might do more harm than good. It’s all about the speculation, but begin with something real.

Any other tips? Favourite fantasy worlds or beings? I’d love to hear about them. Comments always welcome.

Kim Falconer is the author of the Quantum Enchantment and Quantum Encryption trilogies, set in the worlds of Gaela and Earth and exploring all manner of ideas, people and places. The latest in the series is Road to the Soul, which will be published 1 March. Visit Kim’s website and find out more about Kim and her books!

Fallon Friday: The joys of proofreading …

Ah… the joys of proofreading…

I have just finished the proofread for the UK edition of Warlord. When it turned up in the email a couple of weeks ago, my first thought was:

Oh no. now I have to read it again!!

You might think this an odd statement from the author, but after a while, you really do get to a point where you wonder if you can bear to read your own work another time. Medalon in particular, I have read it so many times I can almost recite it by heart.

· First there were the countless readings during the three years it took me to write it.
· Then there was the rewrites.
· Then the structural edit.
· Then the line edit.
· Then the three typeset proofreads.
· Then it got published and I had to read in book form just to make sure it was real.

And then we sold it to the US. And they had to translate it into “American English” for the hardcover edition. So we had another line edit.

Then another three proofreads.

And then the US publishers sold it to the UK. And they had to translate it back into “English English” for the UK edition. Again with the line edits.

And the multiple proofreads.

And then the US paperback was due out and they wanted another two proofreads (one before and one after the corrections were made)

And then I had to write the prequel series. so I had to read the whole damn series again before I started and at least twice during the writing of Wolfblade, Warrior and Warlord, to make sure I kept the stories straight.

And then HarperCollins says “let’s re-release the Demon Child Trilogy with new covers to match the Hythrun Chronicles!”

“Oh goodie,” says I, like an idiot. “Can I fix a couple of little things?

“No problem,” says my patient and ever-supportive editor. “How many changes did you want to make?”

“Er.438.”

Mind you, they were tiny, niggly little things that have irked me (and only me) since Medalon was first published. They are now fixed and nobody but me will even notice.

Which kinda makes me wonder why I bothered. 🙂


Jennifer Fallon