• Fiona McIntosh: Voyager Author of the Month

    Fiona McIntosh was born and raised in Sussex in the UK, but also spent early childhood years in West Africa. She left a PR career in London to travel and settled in Australia in 1980. She has since roamed the world working for her own travel publishing company, which she runs with her husband. She lives in Adelaide with her husband and twin sons. Her website is at www.fionamcintosh.com.

    Her latest book, The Scrivener's Tale, is a stand-alone and takes us back to the world of Morgravia from her very first series, The Quickening:


    About The Scrivener's Tale:

    In the bookshops and cafes of present-day Paris, ex-psychologist Gabe Figaret is trying to put his shattered life back together. When another doctor, Reynard, asks him to help with a delusional female patient, Gabe is reluctant... until he meets her. At first Gabe thinks the woman, Angelina, is merely terrified of Reynard, but he quickly discovers she is not quite what she seems.

    As his relationship with Angelina deepens, Gabe's life in Paris becomes increasingly unstable. He senses a presence watching and following every move he makes, and yet he finds Angelina increasingly irresistible.

    When Angelina tells Gabe he must kill her and flee to a place she calls Morgravia, he is horrified. But then Angelina shows him that the cathedral he has dreamt about since childhood is real and exists in Morgravia.

    A special 10th Anniversary edition of her first fantasy book, Myrren's Gift, will be released in December!

     

     

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Clarion South: Quality over quantity – Part Two

This week’s question was: How many short stories would you recommend being published prior to applying for Clarion?

Christopher Green: I don’t think it matters how many stories you’ve published prior to Clarion. I think your ability, drive, and passion for what the art (as pretentious as it sounds) matter far more than how many stories you’ve sold at the time of your application.

Paul Haines: I don’t think you need any published. You need to have written short stories, and the more the better, unless you’re naturally brilliant, and you of course need to submit work to get into the course. It helps if you understand short stories, what they do, how they work, how to write them.

Brenn McDibble: A few successes would help. I think the main thing is to have had a reasonable amount of feedback from peers etc prior to Clarion and to have your writing reach a high quality and a point where you have no idea how to improve it. The principle behind Clarion, as I understood it, was to take the good writers and give them that last final push over the finish line to where all the publishable writers are battling it out for those few prizes.

Margo Lanagan: Nah, you don’t have to have had any published – I hadn’t. Oh, okay, a novel here and there. But it’s more about how Clarion aligns with what you want for yourself, than how it aligns with what you’ve achieved so far. You just need to have banged your head against a brick wall or two, writing-wise. You need to have seen an illusion or two crumble, probably. If you come in cocky, you have to crumble in public. You don’t want that.

Deborah Kalin: I had a grand total of no published stories. Others I know go to Clarion with a slew of publishing credits under their belts. Like so much of writing, it’s very individual, and basically a case of whatever path you take gets you where you’re going. Clarion is not for those just starting out and, by the same token, you can be at a place in your writing where Clarion can’t teach you anything you don’t already know.

Jason Fischer: It doesn’t matter. If you’ve got talent and the desire to improve yourself, apply. From what I understand it goes against the quality of the sample writing you include in your submission. You gotta be in it to win it.

Tune in for more next week from the Clarion South crew.

Check out the earlier posts about Clarion South

Find out more about Clarion South (intake is closed for the next Australian session, which will take place in Brisbane from Jan 4 to Feb 14)

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Aurealis Awards finalists announced!

See below for categories including our fantastic HarperVoyager authors – and congratulations to Karen, Kim, Jack, Alison, Margo, Sean and Simon!

best science fiction novel
K A Bedford, Time Machines Repaired While-U-Wait, Edge Science Fiction and Fantasy Publishing
Marianne de Pierres, Chaos Space, Book Two of the Sentients of Orion, Orbit
Simon Haynes, Hal Spacejock: No Free Lunch, Fremantle Arts Centre Press
Kim Westwood, The Daughters of Moab, HarperVoyager
Sean Williams, Earth Ascendant, Astropolis Book Two, Orbit

best science fiction short story
Simon Brown, ‘The Empire’, Dreaming Again, HarperVoyager
Nathan Burrage, ‘Black and Bitter, Thanks’, The Workers’ Paradise, Ticonderoga Publications
Trent Jamieson, ‘Delivery’, Cosmos, #21
Margo Lanagan, ‘The Fifth Star in the Southern Cross’, Dreaming Again, HarperVoyager
Tansy Rayner Roberts, ‘Fleshy’, 2012, Twelfth Planet Press

best fantasy novel
Alison Goodman, The Two Pearls of Wisdom, HarperCollins
Sylvia Kelso, Amberlight, Juno Books
Margo Lanagan, Tender Morsels, Allen & Unwin
Juliet Marillier, Heir to Sevenwaters, Macmillan Australia
Karen Miller, The Riven Kingdom, Godspeaker Book Two, HarperVoyager

best fantasy short story
Thoraiya Dyer, ‘Night Heron’s Curse’, Andromeda Spaceways Inflight Magazine, #37
Karen Maric, ‘The Last Deflowerer’, Andromeda Spaceways Inflight Magazine, #32
Angela Slatter, ‘Dresses, Three’, Shimmer, Vol 2 #4
Cat Sparks, ‘Sammarynda Deep’, Paper Cities,
Senses 5 Press
Kim Westwood, ‘Nightship’, Dreaming Again, HarperVoyager

best anthology
Bill Congreve & Michelle Marquardt (editors), The Year’s Best Australian Fantasy and Science Fiction, Fourth Annual Volume, MirrorDanse Books
Jack Dann (editor), Dreaming Again, HarperVoyager
Jonathan Strahan (editor), The Starry Rift, Viking Children’s Books

The following titles are listed for HarperCollins Children’s books:

best young adult long fiction
Isobelle Carmody, The Stone Key, Obernewtyn Chronicles, Volume Five, Penguin/Viking
David Cornish, Lamplighter, Monster Blood Tattoo Book Two, Omnibus Books
Alison Goodman, The Two Pearls of Wisdom, HarperCollins
Melina Marchetta, Finnikin of the Rock, Penguin/Viking
Sean Williams, The Changeling, The Changeling series
book one, Angus & Robertson

best children’s (8-12 years) long fiction
Simon Higgins, Moonshadow, Eye of the Beast,
Random House Australia
Sophie Masson, Thomas Trew and the Island of Ghosts, Hodder Children’s
Emily Rodda, The Wizard of Rondo, Omnibus Books
Carole Wilkinson, Dragon Dawn, Black Dog Books
Sean Williams, The Changeling and The Dust Devils,
The Changeling series books one and two,
Angus & Robertson

Congratulations to all the shortlisted authors, it takes amazing writing to get here. And the rest of the shortlisted works are below. What a spectacular list all around!

best horror novel
Jack Dann, The Economy of Light, PS Publishing
Nick Gadd, Ghostlines, Scribe Publications
John Harwood, The Séance, Jonathan Cape

best collection
Robert Hood, Creeping in Reptile Flesh, Altair Australia Books
Sean Williams & Russell B Farr (editor), Magic Dirt: The Best of Sean Williams, Ticonderoga Publications

best illustrated book/graphic novel
Steve Hunt & David Richardson, The Cloudchasers,
ABC Books
Shaun Tan, Tales from Outer Suburbia, Allen & Unwin
Colin Thompson, The Floods Family Files, Random House Australia
Julie Watts, The Art of Graeme Base, Penguin/Viking

best young adult short fiction
Deborah Biancotti, ‘The Tailor of Time’, Clockwork Phoenix, Norilana Books
Dirk Flinthart, ‘This Is Not My Story’, Andromeda Spaceways Inflight Magazine, #37
Trent Jamieson, ‘Cracks’, Shiny, #2
Kevin MacLean, ‘Eye of the Beholder’, Misspelled,
DAW Books

best children’s (8-12 years) illustrated work/picture book
Anna Fienberg, Barbara Fienberg & Kim Gamble, Tashi and the Phoenix, Allen & Unwin
Richard Harland & Laura Peterson (illustrator), Escape!, Under Siege, Race to the Ruins, The Heavy Crown, The Wolf Kingdom series, Omnibus Books
Ian Irvine & David Cornish (illustrator), Thorn Castle, Giant’s Lair, Black Crypt, Wizardry Crag, The Sorcerer’s Tower series, Omnibus Books
Sally Morgan with Ezekiel, Ambelin and Blaze Kwaymullina & Adam Hill (illustrator), Curly and the Fent, Random House Australia
Richard Tulloch & Terry Denton (illustrator), Twisted Tales, Random House Australia

Clarion South: Getting Creative … Part 1

We asked: Were there any exercises to stimulate the creativity while at the Clarion South workshop? The answers came free-flowing and prompted a lot of LOLZ from this blog maintainer – seriously! Smutty collaborations, stationery, haikus and inspiring movies (ha!), physics (see Lee Battersby’s response tomorrow re: unicorns), the necessity of french toast (Christopher Green, tomorrow). I toyed with calling this post ‘getting stimulated’ in the spirit of the answers below, but had an eleventh hour change of heart. Read on!

NB. Margo Lanagan attended Clarion West, which is one of the US counterparts of Clarion South, and was then a tutor at Clarion South.

Margo Lanagan: At Clarion West we had a high-speed progressive story-writing session with Gwyneth Jones that pretty much undid me with laughter. Gwyneth seemed to realise how far we’d regressed in the 5 weeks before she arrived. She let us have our heads and get silly. Apart from that, who needed stimulation? Talking story for hours a day was quite stimulation enough.

Deborah Kalin: One of Margo’s first acts was to send around prompts — an image, an opening line, I forget the third — and asked us to write the start of a story based on each prompt. I remember being terrified, imagining we’d have to read them aloud or hand them in (clearly, I have assessment anxieties!). When we’d finished, she told us: you have three more weeks of Clarion and now, if you can’t think of anything else, you have three stories you can work on. It was so amazingly simple and sweet I fell in love with her then and there.

Brenn McDibble
: Well, I think the most stimulation came from sitting around the table with a bottle of wine after class. The whole chatter was wild and far out science, memes, extrapolations and revolved around writing, books, movies and occasionally stationery. Stationery is important to writers, and you can see what I mean. It was full on immersion in all things speculative 24 hours a day with like-minded individuals… although we’d all been assimilated into a kind of single-minded entity by the end.

Jason Fischer
: We played a lot of Mafia, which is basically a bluffing game involving cards and secret identities. Some people got WAY too into that, but it was great fun. Another exercise that came about were some round-robin stories, where you write a sentence and pass them around. I hate to say that I sabotaged several of these masterpieces with my grotty sense of humour, but this was good for unclogging the creative process.

Michael Greenhut: Occasionally, some of us got around a table and did some round robin writing; Each of us contributed one sentence at a time to a Frankenstein story. Some these became interesting, while others became runaway smut.

Sean Williams: I encourage my Clarion students to write a haiku a day. I also buy them pizza and make them watch “Throw Momma from the Train”, since everything you need to know about writing is in that movie. Well, maybe not, but it does stimulate the two most important things to come out of week one: frank discussion and bonding (even if the latter is against my poor taste in movies).

Tune in tomorrow for the second set of answers from the Clarionites.
Check out the earlier posts about Clarion South
Find out more about Clarion South (intake is closed for the next Australian session, which will take place in Brisbane from Jan 4 to Feb 14)

Jason Fischer: On Dreaming Again, the Birth of Undead Camels, and That Song

Firstly I’d like to give another plug to the Adelaide Natcon in 2009. I’d love to see heaps of people get onboard and book their tickets here and there is a LiveJournal community for those who want to receive updates here.

What can I say, Conflux was great fun, and it was nice to see so many people get involved in the various events, book launches, and general zaniness. Apart from the Marque’s Random Bar of Doom and the only huddle of eateries laying just beyond a comfortable walking distance, it was an excellent event. There were some brilliant panels this year, and I even participated in a couple of them. (The panel on Utopia, and Has Science Fiction Lost its Sense of Fun?) As the modern author is expected to be a toastmaster as well as a word-factory, it was great to get up in front of an encouraging audience, many of whom joined in the discussions. I don’t think I saw a dead or dull panel once during the whole weekend, and the organisers and convenors should be very proud of their efforts. They thought up some great topics, and lined up some very knowledgable and articulate folks to explore them.

More bloggings of my Conflux experience can be found here: http://jasonfischer.livejournal.com/115983.html

And my AMAZING SWAG of books can be seen here, it is a doozy:

(Secret subliminal message: Everyone should buy lots of books, especially from Voyager.)

For me, the most amazing part of the whole convention was the Dreaming Again stuff. Let me tell you about this book: it’s bloody outstanding. There is something for everyone in this book. You’ll see some of Australia’s premium SF novelists putting their hands to shorter fiction. There are also several new talents in this book, many sourced from the organised insanity that is the Clarion South literary bootcamp. It’s a powerhouse of a book, and if you don’t read Dreaming Again this year, you’re seriously missing out. Every word you’ve heard is true, and this book is literally and figuratively HUGE.

There was the actual book launch on Friday night, as shown earlier in the Voyager blog. Words can’t describe how it feels to be published in a book with several of your heroes, and the Voyager crew and Stephanie Smith deserve many kudos for making this all happen. We authors got spoiled good and proper, what with book signings and Jack Dann in raconteur mode, pimping this book to the heavens and back, until finally the moment where he revved the crowd up and got them to sing That Song.

You know the one, it’s got Undead Camels and a whole heap of Doo-Dah  a moment forever to be remembered! So let me tell you fine people about my Dreaming Again experience, and how I came up with a story called ‘Undead Camels Ate Their Flesh’, and how the song was born.

An un-undead camel

Watch out ... they're coming for you ...

Join me in the distant beyond of early 2007, when a bunch of emerging writers trekked to muggy Brisbane for six solid weeks of the mind-stretching Clarion South writing workshop. We emerged from the system with life-long friends, but that’s Stockholm Syndrome for you. One of our tutors was the legendary Gardner Dozois, longtime editor of Asimov’s magazine and, as it turns out, my long-lost dirty old uncle (DNA test pending). I wanted to write a story that would impress this man, and a few ideas were played with and discarded.

I promise I will never be that guy that poo-poohs the question, “where do you get your ideas from?” I’ll tell you true, my fair readers: we’d bought the supercool Lee Battersby a going-away gift, a book of schlock movie posters and such. One of the posters spoke of a movie called “Weasels Ate Their Flesh”. The next day, I read a wiki article on feral camels in Australia, giving their number at anywhere between 500 and 700 thousand. That’s a whole lot of dromedary. Somewhere, the Brisbane humidity baked the two ideas together and with every 2nd clarion story being a zombie piece, they became very undead.

When it was Gardner’s turn to crit my work, he launched into the Undead Camels song, and after a moment of stunned silence everyone joined in. I had the presence of mind to record this song, either on this occasion or one of the other 50 times. One of our convenors remixed it into a techno track. But apart from us Clarionites and Mister Dann, this recording shall not leave our sacred trust.

The awesome one-woman author-squad known as Margo Lanagan encouraged me to send this piece to Jack Dann, who advised story revision. And thank god he did, because the final product has perhaps 2% of the original swear words, and is missing a whole extra plot-arc involving a Danish secret agent, an unreliable Cessna, and a revived Danish Empire on the island formerly known as Tasmania. Just when you thought a story about zombie camels couldn’t get any more ridiculous…

Jason Fischer is based in Adelaide, South Australia. He is a graduate of the 2007 Clarion South workshop, and a recent finalist in the Writers of the Future contest. He has a story in Jack Dann’s new anthology Dreaming Again, and stories in Andromeda Spaceways Inflight Magazine and Aurealis Magazine (forthcoming). Jason likes zombies and post-apocalyptic settings, and when he’s not writing he wishes he was. He can be found lurking online at http://jasonfischer.livejournal.com, and is a contributing member of the Daily Cabal.

Finding out more about Dreaming Again.

Karen Miller pushes through the pain barrier at Conflux

I had such a wonderful time at Conflux. Met with lovely people, some great conversations, some writing, some panels. I travelled there and back with my solid gold Voyager editor Stephanie, and her husband Jim, who I hadn’t met. What great value he is! We talked spec fic books and tv and film the whole time, and it was great. He now has a viewing list as long as my arm … *g*

Friday was the workshop, on creating dynamic characters. I love talking about this kind of stuff, so I had fun — mostly — but truth be told, I was a little taken aback by the lack of in depth character knowledge of the participants. See, for me, if you want to write stories you should love stories, and if you love stories then you should love characters, and you should have a mile-long list of characters you’ve met and loved and get all excited about. But … not so much. However, be that as it may, we got down to the nitty-gritty of working out how to create a character, and what information a writer needs to know, and how that information about the characters can inform and develop plot. Single most useful insight, I think, was this one:

What is the source of your character’s pain?

Once you know that, you’re well on your way to making them compelling and truly human. Because we all have pain, secret or otherwise, and it’s our pain that spurs us to do or not do things in our lives. And therein lies the seeds of great story.

The bad thing about the workshop was the fact that on the drive down from Sydney we stopped for a break in Goulbourn and I had a vanilla thickshake. Now I don’t know if the milk was off, or if my system has been without milk in it for so long that it had a nervous breakdown, but partway through the workshop I started having … let’s just call them internal ructions. *g* So I had to keep running for the bathroom praying I wasn’t going to throw up everywhere, or worse. The participants were great, and took my many abrupt departures well and truly in their stride. And you know? It never hurts to be afflicted with serious gut pain and the almost overwhelming urge to throw up because if you don’t know how that feels, how can you write about it with any kind of authenticity? Still. It made things interesting for a while.

Friday night I had dinner with two wonderful people, Ron Serdiuk of Brisbane’s Pulp Fiction bookshop and Angela Slatter — one of Australia’s up and coming writers. Fab time, much hilarity and thoughtful conversation. Good company. Man, why do so many of the cool people not live in Sydney????

Saturday was writing and panels and chatting with various bods, and Saturday night was dinner with Stephanie and many other folk from Voyager and fellow writers. Again, so much wonderful conversation and hilarity. Sunday was more panels, including a super one with Tor editor Liz Gorinsky and my editor Stephanie and Zoe, children’s publisher for Random House, and Russell Blackford and Keith Stevenson on the relationship between editors and writers. Magic group of people to share a table with. Although maybe that was Monday. Things are very blurred … And I had a sit down coffee with one of the finest writers Australia has ever produced, Kim Westwood, whom I met at Clarion. She’s a gem, is Kim. Her work is challenging to read, but provides such visceral pleasure in its execution. Sunday also saw the very silly what to look for in an evil overlord panel, out of which came the stunning realisation that there is no opposite term for ‘wenching’. I mean, boys get to go wenching. What do girls get to do? Trudi Canavan suggested wrenching, but I wasn’t going to touch that one. *g*

It was lovely to catch up with GOH Cat Sparks, who participated in a terrific panel about making the jump from short fiction to long fiction. Also Deb Biancotti, yet another superlative writer who will be a household name once she makes the break into longer format, I’m sure. And Margo Lanagan, an absolute superstar. Her first novel is out now, Tender Morsels, and while I haven’t read all of it, what I have read is delicious. Also, thanks to the wonderful Fiona McLennan, I got to hang with the aforementioned Zoe from Random House, and with Sarah, who’s also involved in the children’s publishing part of the company, and they were magnificent value. It was delightful watching Bill Congreve with his 5 month old son. It’s so lovely to see that our culture has evolved to the point where a man can parent affectionately and enthusiastically in public. Josh is very lucky to have such a great dad. It was lovely to have a little bit of time with that powerhouse Jack Dann. He’s so supportive of Australian spec fic, it’s delightful. I had a blast chatting with Tim and Natalie from Voyager — and wanted more time with them, too.

But there’s never enough time to see everyone at a con. They need to go for a whole week, to catch up with everyone cool that’s there. I should’ve written more than I did, but twice this year I’ve had to work at a con and this time I really wanted to see some people. Hence the need to really buckle down now!

So congrats to the folks who put together this year’s Conflux, Karen Herkes and Nicole Murphy in particular. It’s hard work, and often thankless, but we’d be the poorer without them. I’m sorry to be missing next year’s, but I have a date with Jude Law in London’s West End.

Right now, things are slowly gearing up for the Natcon in Adelaide, to be held over the Queen’s Birthday long weekend. Please, if you can, support the convention. You’ll have a great time, and it’s so good for Australian spec fic scene. The website is http://conjecture2009.org, which is still gearing up for business – but at least it’s a start!

Besides being a fantastic panel participant at Conflux, Karen Miller has written numerous books – including her latest, The Accidental Sorcerer, published by Voyager. And she’s a BIG fan of Supernatural, so if you happen to have access to the latest episode … give it me and I’ll pass it on … at some point.

Karen’s also written plenty more in her blog (including some Supernatural stuff that will make you understand just why this season is so damn good! Whoops – keep forgetting this is the Voyager blog, not the Supernatural one).

Conflux 5 – The Alternative Brown Shades of SF and Fantasy by Tim Miller

Tim was one quarter of Team Voyager at Conflux. He blogs on his experience:

11.40am Check in at the exclusive Canberra Gateway Motel. The world shifts into a state of brown shades – the building, the room, the art on the wall, the covers on the bed – all brown. I glance over my shoulder to have a look and see if I have passed through some kind of portal. Nope, it’s just Canberra. I think what the hell, I go with it and immerse myself in all things fantastic.

My Friday at Conflux involved two workshops, Finishing the First Draft with Maxine McArthur and Creating Dynamic Characters with Karen Miller (our very own Voyager author – Accidental Sorcerer anyone?). Stepping into the first was like stepping straight back into all the creative writing classes I did at uni, and the nostalgia instantly set in. We discussed the most common traps why authors never finish the elusive first draft, from the problems starting, that mess in the middle, to all that tricky stuff at the end. Karen’s workshop was awesome, it was set up to look at all the research and character building that goes into all those beloved characters that we read on the pages of book.

Friday night we all attended the launch of Dreaming Again, edited by Jack Dann. Let me just say something here, he is one of the most interesting writers alive. As soon as he opened his mouth the entire room was captivated and would have happily listened to him for hours singing the praises of the talented writers that contributed to DA.

Saturday was the day for some engaging panels. With so much to choose from, the three of us split up to go our separate ways. My favourite for the morning would definitely have been Making a Living as a Writer – But Not Necessarily a Novelist with Gillian Polack, Mark Shireff, Liz Argall (Chair), Margo Lanagan and Karen Simpson-Nikakis. The consensus was that it was very hard to, but really the writer in me was kind of hoping. Of the panel it was only Mark that could make a living and he works as a script producer for television. The others revealed exactly how they could afford to write – working part of the year, writing the other, having jobs that let them research for their writing, or teaching and consultation work.

Of the afternoon’s panels, Rewriting – The Real Art of A Good Story drilled home some truths that all writers need to be aware of. I believe Cat Sparks said it best – Don’t hand in shit. If the first thing an editor or publisher sees is a piece that not only doesn’t meet the guidelines, but obviously needs more work, then the next time they see your name they aren’t likely to take you seriously. Some friendly advice, put the ms away for a bit, a week, a month, whatever, then come back to it with fresh eyes and rewrite it – it will make it better.

Ok Saturday night at Conflux gave me the rare opportunity to mingle with some authors. A little unknown fact, they don’t walk around the evil HQ every five minutes, nor do they stop in for a chat. Stephanie Smith, Publisher of all things Voyager, invited Nat, Sarah and myself out for a Voyager dinner with some authors – Karen Miller, Kim Westwood, K. J. Taylor and Adam Browne. I had a good chat with Adam about Conflux in general before the topic turned to writing. At the end of the night he gave me some encouraging words and told me he would be looking out for my novel when it comes out. I also chatted with Karen Miller, discussing the workshop of Friday and Accidental Sorcerer before it turned into writing in general and Supernatural. I think a good night was had by all.

Sunday saw our last day at Conflux, so with my copy of Dreaming Again in my hot little hand, I sucked up my courage and went about asking some of the contributors to sign my copy. Not only did they sign, but they were happy to and to have a chat as well. To name a few: Jason Nahrung – ‘Smoking, Waiting for the Dawn’, Aaron Sterns – ‘The Rest is Silence’ and Jason Fischer – ‘Undead Camels Ate Their Flesh’.

We also got up to a few other things while in Canberra. We visited Floriade, and with the help of a quick coffee fix took some interesting photos, I’m sure Nat will put up the more interesting ones [No! Big Merino was embarrassing enough!]. We walked a lot, our motel was down the road from Conflux and Nat kept assuring us 3kms were a lot shorter than 100kms [whole other story here about the Oxfam Trailwalker] . Although there was the one night were the heavens opened up and we got drenched, but even that couldn’t dampen our spirits. I had a great time, at Conflux and with the company I went down with, Nat and Sarah are top ladies and if the chance comes up again next year I wouldn’t dream of going with anyone else.

Tim Miller works in the Sales department at HarperCollins. He’s part of the Voyager Cabin Crew and works on the Voyager Newsletter as well. And he’s working on a novel and short stories, when not being forced to blog for Voyager Online!  

A quick reminder about some events coming up soon

It’s time for Dreaming Again

Pulp Fiction and the Queensland Writers Centre are celebrating the release of Dreaming Again, edited by Jack Dann, in Brisbane on Tuesday 23rd September, 6.00pm for a 6.30pm start at QWC, Level 2, 109 Edward Street, Brisbane. To quote them: ‘There will be readings, there will be signings, but most importantly there will be nibbles and drinks — and books!’

It’s free – but bookings are essential so there’s enough of the aforementioned nibbles and drinks! To RSVP, phone Pulp Fiction Bookstore on 3236 2750 or email pulpfictionbooks@bigpond.com

And if you haven’t got a copy of Dreaming Again yet, wait til you go to the celebration, as all profits from sales of the book on the night will go to the Clarion South Writers’ Workshop. A number of writers in Dreaming Again are Clarion South alumni – ‘survivors of a six-week writers’ boot camp!’.

Dreaming Again contains 35 stories by authors such as Isobelle Carmody, Terry Dowling, Margo Lanagan and Garth Nix — along with Brisbane’s own Peter M. Ball, Rowena Cory Daniels, Trent Jamieson, Chris Lynch, Jason Nahrung, Angela Slatter and Kim Wilkins – and the organisers expect that a number of these fab authors will be there on the night.

Don’t forget that Jack Dann is a special guest at  Conflux 5: Dreaming, which runs from October 3 to 6! See www.conflux.org.au for the full details. If you haven’t signed up to go yet, please do! The Voyager team will be attending, and it’s sure to be fantastic – and a good reason to go to Canberra …

Traci Harding will soon be taking part in the annual celebration of all things Traci: Trazfest 2008, from Friday October 3 – Monday October 6 2008. Trazfest is the chance to meet Traci and other fans in a relaxed three-day event which includes the Trazling Awards Night (during which a Talent Quest & Costume Party takes place). This year it’s at Coolum on the Sunshine Coast. You must pre-book, so visit Trazling.net or Traci’s website for more information or email trazfest@trazling.net.