Writing the Timestalker series

People always ask me what it’s like writing the Timestalker series. It follows the adventures of a time travelling detective, Kannon Dupree, who solves exotic mysteries set in different times and places. And as the latest book in the series, Coyote, has just come out, I know I’ll need to hone my answer to that question.

But to complicate matters, each book has had its own special challenges. In the first one, Gladiatrix, Kannon journeys to Rome in 8AD and investigates the mysterious rituals performed by an Egyptian Isis-worshipping cult, which in the twenty-first century has become so powerful that it’s challenging Christianity for dominance.

That was a lot of work. I had to set up the foundation for a new series which used time travel, create an alternate present, plus do research on ancient Rome as well as mystical Egyptian cults. Then put it all together in an adventure story.

The next book, Hoodwink, is set in the golden years of Hollywood. After the body of a movie director is found covered in a Mayan occult tattoo and cemented into the floor of his own film set, Kannon Dupree is hired to discover who murdered him. Whilst on the set of Gone With The Wind she stumbles onto a mystery that stretches back to the Civil War.

My research load doubled in Hoodwink. It ranged from 1939 Hollywood, through to the Mayan civilisation via the American Civil War. And, as every good writer knows, you only ever put a fraction of the research you do into your book.

In the latest book, Coyote, Kannon is hired to find the missing diary of a Wild West hero. The chase takes her through the middle of an Indian War, via a mysterious convent of nuns banished to die in the desert and into an ancient pueblo city on a cursed mesa sacred to Coyote, the trickster god.

The photo of me frowning outside the town of Coyote in New Mexico, was taken when I was trying to work out where the hell to locate one of the only truly fictional places in the book – Big Sun Canyon. America’s Southwest is a patchwork of sites sacred to the local Native American nations. (The photo of mesas is from one of these sites – Monument Valley) So I had to work out how to respect their beliefs and still write an adventure story that roamed across their territory. (I’m smiling in the other photo because I’ve just worked out what to do.)

Looking at the series as a whole – all the Timestalker books are basically adventure stories where complex mysteries are solved. It takes a huge amount of planning to tell an exciting story and at the same time unveil clues along the way. Add time travel to that mystery setup and there’s another equally intricate layer of planning. You can’t turn the reader off by making them question why the mystery wasn’t solved in one quick visit to the past rather than a journey that takes around 150,000 words.

So I do the all the planning and research and then I let my imagination take over… You’ve got to love speculative fiction. It’s as exciting to write, as it is to read.

Life And Death In Sin City: The Mayan Tree of Life in Jungle Hollywood

I was thinking about death. Someone else’s actually… Earl Curtis, one of the main characters in Hoodwink, the latest book in my Timestalker series. You see he’s obsessed by a scary Mayan death goddess and…as you can imagine…it gets him into VERY nasty trouble indeed.

Not only that, he’s a sleazy, double-dealing scumbag operating in one of the most sinfully decadent eras in human history – Hollywood in the 1930s. And believe me he enjoyed every last lick of the forbidden fruit in that particular version of paradise.

Yep, no wonder Earl meets a most sticky end… Wonder what he was thinking as he breathed his last? Did he believe his fierce-eyed Mayan death goddess was going to save him?

What do you think’s going to happen to you?

Whether we admit it or not, everyone wants to know what happens after we take the biggest ride in the amusement park – death. And being the cheeky monkeys that humans are, every culture in history has come up with an intricate explanation about what happens after we step off that rollercoaster.

Many cultures actually map out their expected post-death journey…where you go, what you see along the way, such as in the Egyptian Book of the Dead and the Tibetan Bardo Thodol (Book of The Dead).

One element that many of these ancient maps of the afterlife use is an axis mundi or cosmic axis – a detailed description of the centre of the universe. It’s the place where heaven and earth meet, where mortals and gods interact and where all compass directions start…

So it makes sense sticking one in a map of the afterlife because if you see death as a transition from this existence on Earth to another plane of being…whether it’s heaven or…er, cough, cough…somewhere a little less comfortable, then you’d damned well better know how to find your way to where you want to end up! There’s no GPS available on this stretch of the cosmic tour. J

And the axis mundi, which connects the earth to the sky, has been depicted as everything from a sacred ladder to a great tree to a lofty mountain… To some the great red rock of Uluru is the axis mundi of Australia.

Now back to the question of whether Earl’s Mayan death goddess is going to do right by her boy?

The Mayans, living in the middle of a hot, steamy jungle, picked a tree. They depicted the centre of their cosmos as the mightiest living being they ever laid eyes on – the ceiba tree, It’s literally the veggie version of a green whale.

The ceiba tree is gigantic with huge buttressed roots and a massive trunk that reaches up and out into limbs that form the rainforest canopy. It reaches down through its roots to connect Earth to the Underworld below and up through its limbs to Heaven above.

   But to the Mayans the mighty ceiba was not only their axis mundi it was also the Tree of Life – it connected all creatures. In the jungle the mighty ceiba tree forms its own micro habitat sheltering a multitude of plants, animals and insects in its leafy embrace.

But life wasn’t all the Mayans were interested in…

Death is so fearsome to most humans that just the threat of it wields great power. The power over life and death has been the cornerstone of many of our political systems and control over what happens after it is the foundation of many of our religions.

The Mayans, like the rest of humanity, cottoned on to the power that death wields and ran with it. Everyone has seen pictures of (if not movies about) the human sacrifices that were made by ancient cultures in Meso and South America.

And the awesomely, frightening temples that were used as the performance venues for these death-magic rites.

Which brings me to that infamous axis mundi of the West…where mere mortals are turned into stars and placed in the heavens for worship – Hollywood.

Frank Lloyd Wright (arguably the most famous American architect of all time) may’ve believed Sin City was the axis mundi of barbarism…because when he was commissioned to build several houses there in the 1920s he turned to the ancient temples of Meso and South America for inspiration.

The most beautiful one he built was Hollyhock House in East Hollywood, which is inspired by the Mayan city of Palenque. Now the Mayans liked to decorate their temples with all sorts of fierce motifs: snarling jaguars, writhing serpents, screaming gods, howling sacrificial victims…

You know the usual house decor…

But somewhere along the way Wright decided to create a Mayan-style hollyhock motif for his new house project instead – which must’ve have been a HUGE relief to the people who were going to live there!

In the alternate reality of Hoodwink, my sleazy character Earl Curtis was lucky enough to convince Frank Lloyd Wright to build him a house too. One based on a Mayan temple just like Hollyhock House, but decorated with the symbol of his Mayan death goddess – a ceiba tree.

You see the ceiba connects all beings, mortal and divine, good and bad…and Earl’s hungry goddess watches over all from her own, special branch on that mighty tree.

Or rather she waits for prey.

So what does happen to Earl Curtis? Does Kannon Dupree find out in Hoodwink?

Maybe…maybe not.

Time Travel, Tattoos & Gone With the Wind

     We’re such an ingenious species that the story of how we spread across the face of this magnificent planet reads more like a cross between science fiction and epic fantasy than real life. For that reason when it came time for me to write my series I knew it had to be based on time travel.

 I wanted to be able to send my intrepid heroine anywhere…to solve any mystery our cunning little human minds could spin! So, of course she had to be a time travelling detective…which opened up adventure in any conceivable time or place. When you throw a slightly alternate past and present into the mix, then the adventure gets really exciting because anything can happen – and frequently does.

 There are so many possibilities! What was Joan of Arc really like? What secrets are encoded in the Voynich manuscript? What were Buddha’s last words? What was written on the Mayan codices destroyed by the Conquistadors?

 So my Timestalker series is about a time travelling detective. The first book, Gladiatrix (2009) was set in ancient Rome, while the second, Hoodwink (out now) is set in Hollywood in 1939. Each book in the series solves a mystery set in a different time and place.

 Hoodwink starts with a body covered in a Mayan occult tattoo being discovered cemented into the floor of a Hollywood film set. It’s the body of a famous film director who went missing in 1939. Kannon is hired to return to 1939 to find out who killed him. While on the set of Gone With The Wind, mixing with the big stars of Hollywood, she stumbles onto a mystery that stretches back to the Civil War…

 ‘Why Gone With The Wind?’ you say. ‘Isn’t that just some old film about a Southern woman’s determination to survive the American Civil War and its aftermath?’

 Good question!

 Well…I wanted to write about a murder on a film set in 1939, the most glamorous period in the Golden Years of Hollywood. So I had to choose a movie that would give me the maximum room to explore the feeling of the 1930s as well as yield some interesting plot points I could play with.

 There was only ever one real choice…

 If you’ve ever seen any of the documentaries on the making of Gone With The Wind you’ll wonder why a murder didn’t actually happen… The producer, David O Selznick, was said to be a slave driver addicted to Benzedrine, who went through multiple directors to make the film – one of whom was supposed to have been driven to the brink of suicide. Most of the cast was hiding outrageous secrets, ranging from simple old adultery through to operating as a British spy in pre-war America.

 And that was just for starters.

 Some claim that Gone With The Wind is ‘the greatest film ever made’, whether that’s true or not it certainly seems to be one of the most watched in history. It’s still playing somewhere even as you read this sentence. Hell, the last time I caught a QANTAS flight to Los Angeles it was one of the choices on my personal viewing module…??? According to Wikipedia (with adjustment to 2010 prices) it is the highest grossing film of all time and stories abound concerning its influence on world culture in all sorts of unexpected ways… The book the film was based upon was banned by the Nazis during WW2 and was reportedly a favourite with the French Resistance who prized it as an example of courage under foreign occupation.

 But make no mistake Gone With The Wind is a paradox because it’s both incredibly inspiring and deeply racist. And such a flawed film is…of course, the perfect setting for a murder.

 A personal reason for the choice is that a key memory of my childhood is when my parents took me to see Gone With The Wind.  I was ten and at the time I wondered why they were so keenly affected by a movie that was about the American Civil War. I saw it again as a teenager and connected with the strong, central female character, Scarlett O’Hara, who out-survives all the macho men around her. But it was only when I became an adult that I realised that my parents’ attachment came from their experiences in WW2. Gone With The Wind was made in 1939 and its central theme is how ordinary people can endure and even triumph over unendurable tragedy.

 And that memory of triumph over tragedy is what my parents re-experienced when they sat there in the dark of that movie theatre.

 Who can not relate to that?

Rhonda Roberts is the author of Gladiatrix & Hoodwink, which is out now!

Rhonda Roberts talks Gladiatrix and news on Hoodwink!

Start Reading Now

Rowena Cory Daniells has posted a fab interview with our own Rhonda Roberts, author of Gladiatrix, where she talks about getting published, gender in fantasy and what’s coming up next for her time travelling heroine Kannon Dupree.

We’re thrilled to announce that Rhonda’s much anticipated next book Hoodwink will hit the shelves in January 2012.

Now we know it’s not close enough for some Gladiatrix fans so here’s a little bit more info to keep you going:

A perfectly preserved body, covered in Mayan occult tattoos, is discovered embedded in the concrete floor beneath the set of a teen werewolf TV series. The police identify the man as Earl Curtis, a famous director who went missing in 1939 while working on Gone with the Wind. Hired to investigate, Kannon returns to old Hollywood. But in the present someone is stalking the remaining witnesses.

Check out the interview here.