• Fiona McIntosh: Voyager Author of the Month

    Fiona McIntosh was born and raised in Sussex in the UK, but also spent early childhood years in West Africa. She left a PR career in London to travel and settled in Australia in 1980. She has since roamed the world working for her own travel publishing company, which she runs with her husband. She lives in Adelaide with her husband and twin sons. Her website is at www.fionamcintosh.com.

    Her latest book, The Scrivener's Tale, is a stand-alone and takes us back to the world of Morgravia from her very first series, The Quickening:


    About The Scrivener's Tale:

    In the bookshops and cafes of present-day Paris, ex-psychologist Gabe Figaret is trying to put his shattered life back together. When another doctor, Reynard, asks him to help with a delusional female patient, Gabe is reluctant... until he meets her. At first Gabe thinks the woman, Angelina, is merely terrified of Reynard, but he quickly discovers she is not quite what she seems.

    As his relationship with Angelina deepens, Gabe's life in Paris becomes increasingly unstable. He senses a presence watching and following every move he makes, and yet he finds Angelina increasingly irresistible.

    When Angelina tells Gabe he must kill her and flee to a place she calls Morgravia, he is horrified. But then Angelina shows him that the cathedral he has dreamt about since childhood is real and exists in Morgravia.

    A special 10th Anniversary edition of her first fantasy book, Myrren's Gift, will be released in December!

     

     

Writing the Timestalker series

People always ask me what it’s like writing the Timestalker series. It follows the adventures of a time travelling detective, Kannon Dupree, who solves exotic mysteries set in different times and places. And as the latest book in the series, Coyote, has just come out, I know I’ll need to hone my answer to that question.

But to complicate matters, each book has had its own special challenges. In the first one, Gladiatrix, Kannon journeys to Rome in 8AD and investigates the mysterious rituals performed by an Egyptian Isis-worshipping cult, which in the twenty-first century has become so powerful that it’s challenging Christianity for dominance.

That was a lot of work. I had to set up the foundation for a new series which used time travel, create an alternate present, plus do research on ancient Rome as well as mystical Egyptian cults. Then put it all together in an adventure story.

The next book, Hoodwink, is set in the golden years of Hollywood. After the body of a movie director is found covered in a Mayan occult tattoo and cemented into the floor of his own film set, Kannon Dupree is hired to discover who murdered him. Whilst on the set of Gone With The Wind she stumbles onto a mystery that stretches back to the Civil War.

My research load doubled in Hoodwink. It ranged from 1939 Hollywood, through to the Mayan civilisation via the American Civil War. And, as every good writer knows, you only ever put a fraction of the research you do into your book.

In the latest book, Coyote, Kannon is hired to find the missing diary of a Wild West hero. The chase takes her through the middle of an Indian War, via a mysterious convent of nuns banished to die in the desert and into an ancient pueblo city on a cursed mesa sacred to Coyote, the trickster god.

The photo of me frowning outside the town of Coyote in New Mexico, was taken when I was trying to work out where the hell to locate one of the only truly fictional places in the book – Big Sun Canyon. America’s Southwest is a patchwork of sites sacred to the local Native American nations. (The photo of mesas is from one of these sites – Monument Valley) So I had to work out how to respect their beliefs and still write an adventure story that roamed across their territory. (I’m smiling in the other photo because I’ve just worked out what to do.)

Looking at the series as a whole – all the Timestalker books are basically adventure stories where complex mysteries are solved. It takes a huge amount of planning to tell an exciting story and at the same time unveil clues along the way. Add time travel to that mystery setup and there’s another equally intricate layer of planning. You can’t turn the reader off by making them question why the mystery wasn’t solved in one quick visit to the past rather than a journey that takes around 150,000 words.

So I do the all the planning and research and then I let my imagination take over… You’ve got to love speculative fiction. It’s as exciting to write, as it is to read.

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Writing Coyote’s Sacred Landscape

I always try to visit the landscape that my characters explore if I can. There’s nothing like filling your senses with its unique essence. What does it sound like? Is the light the same as at home? And so it goes…

So far I’ve written three of the adventures of Kannon Dupree, the time travelling detective. In Gladiatrix, Kannon paced the streets of ancient Rome investigating a shadowy Egyptian cult. In Hoodwink she lurked around glamorous Hollywood in 1939, to find out who murdered a famous movie director and why he died with a Mayan occult tattoo engraved on his chest. And in Coyote, which came out this month, Kannon is hired to find the missing diary of a Wild West hero. The chase takes her through the middle of an Indian War, via a mysterious convent of nuns banished to die in the desert and into an ancient pueblo city on a cursed mesa sacred to Coyote, the trickster god.

Without a doubt, the fieldwork I did for Coyote will always be one of my greatest adventures. Coyote is set in New Mexico, one of the states that make up the USA’s famous Southwest. It’s an arid, sparsely populated state with natural wonders around every bend, sprinkled with the mysterious ruins of ancient pueblo cities, criss-crossed by the trails of gold-hungry conquistadors and home to some of America’s largest reservations including those of the Apache and the Navaho. It’s also a landscape marked by the roughest edges of the Wild West, holding the remains of besieged forts, the tracks of dashing stagecoaches and frontier towns once ruled by the gunslinger.

Travelling the Southwest filled every sense. The rough touch of the ancient pueblo walls at Bandelier and Aztec Ruins, the gritty taste of the sandstorm that over took me near Farmington, the sight of the incredible red pinnacles of Monument Valley, the smell from the bunches of chillis hung to dry over old Spanish balconies in Santa Fe and the chillingly sweet sound of a Native American’s flute in Mesa Verde.

However… As every writer will tell you, each book presents its own special difficulties. As I wandered around the Southwest, gasping in awe at the landscape and interviewing every different kind of inhabitant that would talk to me, I came to realise that I had a problem.

I could really feel just how sacred this land was.

The Southwest is sacred to many different Native American nations, some of whom have lived there since the last Ice Age, and every natural monument is part of a wealth of mythologies and religious beliefs. The more I was included in this world, the bigger the problem became. How to put an adventure story into a sacred landscape without being disrespectful of those who hold it in such reverence?

Now I’m certainly not saying that my solution is the only one, nor that it works perfectly. Just that it was right for me when I wrote Coyote. My resolution was to make the sacred location I wrote about in Coyote – Big Sun Canyon and everything in it – a fictional composite of impressions taken from different places across the Southwest.

But when I explain this to people, I’m always struck by the paradox in what I’m saying.

The nations of the Southwest hold their land as sacred, but in the end what place on our gorgeous planet shouldn’t be? I guess it all comes down to what each culture decides to hold as precious. I’d love to hear what place or landscape is sacred to each of you.