• Fiona McIntosh: Voyager Author of the Month

    Fiona McIntosh was born and raised in Sussex in the UK, but also spent early childhood years in West Africa. She left a PR career in London to travel and settled in Australia in 1980. She has since roamed the world working for her own travel publishing company, which she runs with her husband. She lives in Adelaide with her husband and twin sons. Her website is at www.fionamcintosh.com.

    Her latest book, The Scrivener's Tale, is a stand-alone and takes us back to the world of Morgravia from her very first series, The Quickening:


    About The Scrivener's Tale:

    In the bookshops and cafes of present-day Paris, ex-psychologist Gabe Figaret is trying to put his shattered life back together. When another doctor, Reynard, asks him to help with a delusional female patient, Gabe is reluctant... until he meets her. At first Gabe thinks the woman, Angelina, is merely terrified of Reynard, but he quickly discovers she is not quite what she seems.

    As his relationship with Angelina deepens, Gabe's life in Paris becomes increasingly unstable. He senses a presence watching and following every move he makes, and yet he finds Angelina increasingly irresistible.

    When Angelina tells Gabe he must kill her and flee to a place she calls Morgravia, he is horrified. But then Angelina shows him that the cathedral he has dreamt about since childhood is real and exists in Morgravia.

    A special 10th Anniversary edition of her first fantasy book, Myrren's Gift, will be released in December!

     

     

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Folly from the Newtown Review of Books brilliantly reviews both Bridge of Swords by Duncan Lay and The Dark Divide by Jennifer Fallon. Thanks guys!

The Newtown Review of Books

Celtic and Japanese cultures give visual and emotional charge to two recent fantasy novels.

There is much richness and complexity on offer in fantasy writing, as well as extraordinarily varied and layered resources available to the writer. Two recently published books demonstrate this for me with heaps of panache. Interestingly, they both use aspects of Celtic and Japanese cultures, in very different ways, to give a visual and emotional charge to their narratives.

Bridge of Swords  (Part One of Empire of Bones) opens with an elf thrown from his hidden land, Dokusen, as a result of machinations within his realm concerning the decay of magic and the bitter rivalry between his brutal father, the tyrant at the head of the council, and the equally untrustworthy controllers of magic, the magic-weavers. His name is Sendatsu. He must leave behind his adored motherless children and his unattainable love, Asami, and seek the…

View original post 1,412 more words

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The Aurealis Awards 2012

Last Saturday The Independent Theatre in North Sydney played host to the 17th Annual Aurealis Awards*. Harper Voyager Australia again sponsored the awards along with Galaxy Bookshop. It was a chilly windy night in Sydney so scarves & shawls were the fashion accessory of the evening!  We’re super-proud to announce that The Courier’s New Bicycle by Kim Westwood (HarperAU) won best Sci-Fi Novel and Ghosts by Gaslight (HarperUS) edied by Jack Dann & Nick Gevers won best Anthology! Creature Court author Tansy Rayner Roberts’ podcast Galactic Suburbia also won the Peter McNamara award- go Tansy!The Courier's New Bicycle

As always, it was a great evening and a chance to catch up with all our authors, blogger friends, Tweeples and fans of spec fiction everywhere. Discussions ranged from the future of spec-fic publishing  and cover designs to Star Wars and hypothetical murder mystery plots.  We were also very happy to see Stephanie Smith, who presented the Best Fantasy Novel Award, before her imminent move to Tasmania. She took time to introduce our new Voyager publisher, Deonie Fiford, to the audience too!

Congratulations to our shortlisted authors as well –  The Undivided by Jennifer Fallon, The Shattered City by Tansy Rayner Roberts & Stormlord’s Exile by Glenda Larke for the Best Fantasy Novel of 2011, and Children of Scarabaeus by Sara Creasy for Best Sci-Fi Novel of 2011.

Stephanie Smith with 2 of our winning authors: Kim Westwood and Tansy Rayner Roberts

Susan Wardle, co-convenor of the awards, said that with approximately 700 entries across the thirteen categories, the judges had a challenging task. “The winners represent the best of Australian fantasy, horror and science fiction writing in 2011 as judged by a pannel of their peers.  This year’s winners join the likes of Sara Douglass, Garth Nix, Isonelle Carmody, Trudi Canavan, Shaun Tan and Sean Williams, all of whom are multiple Aurealis Award Winners.”

Congratulations again to our winners!

*The Aurealis Awards were established in 1995 by Chimaera Publications, the publishers of Aurealis magazine, to recognise the achievements of Australian science fiction, fantasy and horror writers.

Deonie Fiford and Stephanie Smith
photo by Cat Sparx ( http://www.flickr.com/people/42956650@N00/)

Aurealis 2011 finalists announced!

The finalists for the 2011 Aurealis Awards have just been announced and lots of Voyager authors have been selected! Congrats to Jennifer Fallon, Glenda Larke, Tansy Rayner Roberts & Kim Westwood!

This is from the official press release:
‘ Winners of the 2011 Aurealis Awards and the Peter McNamara Convenors’ Award for Excellence will be announced at the Aurealis Awards ceremony, on the evening of Saturday 12 May at the Independent Theatre, North Sydney. Details of the evening and a link to the online booking website are available at www.aurealisawards.com

An after party will be held at Rydges, North Sydney, following the awards presentations.  Accommodation is available at Rydges for $149 (room only) or $174 (including full buffet breakfast).  To take advantage of these rates please use the code ‘Aurealis’ when making your booking.

For further information about the awards please contact the convenors at: convenors@aurealisawards.com

The 2011 Aurealis Awards are sponsored by HarperVoyager and Cosmos Magazine and proudly supported by Galaxy Bookshop.’

Here are the Australian Voyager finalists:

FANTASY NOVEL

The Undivided by Jennifer Fallon (HarperVoyager)

Stormlord’s Exile by Glenda Larke (HarperVoyager)

The Shattered City by Tansy Rayner Roberts (HarperVoyager)

SCIENCE FICTION NOVEL

The Courier’s New Bicycle by Kim Westwood (HarperVoyager)

For the full list head to www.aurealisawards.com

The best of Fallon Friday

A few years back, we used to publish a new Jennifer Fallon post each Friday. Back by popular demand, to celebrate our author of the month, here’s the best of Fallon Friday!

I want to get published – where are the markets?

Mainstream publishers are publishers who commission work from authors and pay them an advance and/or royalties for published worked sold. They range from the large commercial enterprises, such as HarperCollins to smaller, specialty publishers, such as the Qld University Press.

Publishers have various different banners under which they publish different genres. For example, HarperCollins publishes fiction under their own banner, but publishes Fantasy and Science Fiction under the Voyager imprint and Romance under the Avon Imprint.

It’s vital to know which publisher does what. It is absolutely no use sending your blood and guts horror epic to Mills and Boon, any more than you should send your heart-rending romance to Voyager. They will simply send it back unread and all you get for your efforts is another rejection slip to add to the pile.

Rule 1 – Pick your publisher!!!!

Do your homework.
Check if the publisher to whom you’re sending your MS, is actually publishing the genre you’re writing for.
Check if they accept unsolicited manuscripts (some publishers no longer do).
Find out the name of the editor responsible for the genre you work in, ie the children’s editor, or the romance editor. All you need do is phone the publisher and ask the switch operator.

Some publishing houses only want to see sample chapters and an outline, so you need to find that out before you send the whole MS.

Some publishers will only accept work from agents. Some will only accept unsolicited work assessed by a recognised Manuscript Assessment Service. All of them have their submission requirements on their websites. Check them out before you start ringing editors. A phone call asking for information already provided on a website is liable to promt the reaction: How can this person write, when it’s clear they obviously can’t read!

Rule 2 – Read the guidlines on their website and adhere to them or you will immediately be dismissed as a dimwit who can’t follow simple instructions

Bear in mind that publishers rarely offer a contract to a first time author based on a query letter. They have no proof you can produce the final goods.
Many publishing books say to send a letter first, outlining your idea, but in my experience, editors shy away from unknown authors with bright ideas.

Send the query letter, by all means (along with the first 2 or 3 chapters) but get your MS finished first. And be very careful saying ‘nothing like this has been published before’ because that might be a warning signal that perhaps a demand for your book does not exist.

In the non-fiction area it’s essential that you know what your book does that competing books in the area do not, and what it does better than the existing books. Be aware that in this highly competitive industry there will be competing books and that your publisher will be aware of them.

Jennifer Fallon lives in Oxford, near Christchurch in NZ. Her first trilogy, ‘The Demon Child’, was an instant success and the related books of The Hythrun Chronicles built her fan base. Jenny has been published in the US, UK, Canada, Russia and Germany. Her latest book is The Undivided.

Hard Heroes: Part II

 

Linda Hamilton plays hardcore hero Sarah Connor in Terminator II

 How do you manage to make your characters harder without being too hard? Part I

Along with goals and history, flaws are an essential ingredient in writing strong, engaging characters. As Stacia Kane, author of the Downside Ghost Series, says, I don’t like characters who are just naturally strong and brave and smart and wonderful. To me it’s the flaws–and what they do with them–that make a person strong, and that makes them human. And the stronger and braver and tougher they are to the outside world, the more their flaws and weaknesses matter.

 ‘The flaw’ can move the story forward and make characters believable. For example, Tryn Bistoria in my Quantum Encryption Series is a capable, smart, talented apprentice but ruthless in the lengths she’s go to keep her familiar a secret.  It’s the flaw that draws the reader in and keeps the pages turning—the chink in the armour counts.

Sometimes the flaw is meshed with the character’s strength. Duncan Lay points this out when referring to Martil in the Dragon Sword Histories: (His) strength is also his greatest weakness in that he is a warrior without peer, a warleader even but he hates and despises what he is forced to do to win battles, both individually and as a war captain. Often the ‘flaw’ is the thing the character will try to hide. It’s internalised and that can lead to even deeper issues.

But strength isn’t always physical, as Mary Victoria, author of the Chronicles of the Tree series, reminds us. Samiha is strong precisely because she’s weak. Her flaws and her humanity give her insight. Her lack of physical strength gives her moral power. . . Playing with the way the character handles power can be very revealing and it gives us a chance as writers to explore some of the deeper elements of human psychology.

Jennifer Fallon reminds us not to forget the external factors as well. She says, when characters are required to make hard decisions, slam every other door open to them, so their path, no matter how hard or awful, is the only logical one to follow, then your readers will accept it and forgive that character anything you want/need them to. I have a character in The Second Sons series, who murders his father and arranges for the murder of his mother, and everyone reads this series and says “poor baby”, because I left him with no other honourable alternative, so the act, far from making him unsympathetic, made him a hero.

Environment, history, goals, flaws, Satima Flavell, author and editor, sums it up. To be memorable, a character needs to be complex. We need to see flaws as well as virtues, and we need to see, over the course of the book or series, just what has caused those flaws and how the character deals with them. A certain degree of self-awareness and self-acceptance is usually found in truly memorable characters, no matter how troubled or apparently conscienceless they might be.

Sometimes that self-awareness can rise spontaneously, without the author planning it. Traci Harding’s Tory from The Ancient Future Series demonstrates this:  I think the attraction with Tory is that she the observer in all of us . . . She is not compelled by religion to do the right thing, but has an appreciation for different cultures and draws from the beliefs of all, and her own common sense, in her search for the answers to the greater mysterious in life . . . I’m not too sure if I took Tory on a great adventure or she took me, but I feel I have my Tory’s boots when I’m writing her character. She taught me so much and is still teaching me as she morphs herself into other characters and other tales.

Have a comment on the topic? We’d all love to hear from you. 

Special thanks to Traci Harding, Stacia Kane, Jennifer Fallon, Mary Victoria, Duncan Lay, K J Taylor, Tracey O’Hara, Satima Flavell and Nicole Murphy for your input and contributions to this discussion.

Hugos, swords, readings and dreamers

Sunday morning we bumped into Peter V Brett looking slightly pale outside the dealers room on Level 2. He was preparing for his reading from The Great Bazaar and by all accounts did very well. We gave away some Voyager party bags with the v15 hardbacks inside to some lucky tweeters and passers-by, celebrating both our anniversary and hitting 1000 followers on Twitter! Duncan Lay wandered over on his way to his kaffeeklatsch and said he was enjoying himself and also preparing for a reading later that day. Haven’t heard yet how it was but I’m sure it was fantastic!
Then your correspondent went to a ton of panels: the artist’s paradox with GoH Shaun Tan, Cat Sparks and Nick Stathopoulos was especially interesting. Robert Silverberg’s panel with Peter Ball, Alan Baxter and Keith Stevenson also provided food for thought on the novella form – hard to sell? Hard to write? Growing in popularity? Increasing the number of small press publishers?
After a brief break for lunch it was time to see our own Stephanie Smith, Voyager Publisher, on the Dreaming Again panel led by Jack Dann, with Janeen Webb, Jason Nahrung, Angela Slatter, Richard Harland and Jenny Blackford. Jack was in fine form and asked if everyone else had turned up for a roast Jack panel! 🙂
Then it was a discussion on crowns and monarchies with interesting insights from a whole panel of Voyager authors! Duncan Lay, Jennifer Fallon, Glenda Larke, Fiona Mcintosh with guest appearance by Joel Shepherd, duked it out – and one good point they made is that by settling on a monarchy as your governing system, you can concentrate on telling the actual story.
After this it was off to rm 519 to listen to Mary Victoria read from Tymon’s Flight and -bonus- from Samiha’s Song. Mary read beautifully and had us all under her spell.
We had a lovely Voyager dinner with our authors and then a few of us headed to the Hugos, where Garth Nix was doing a fab job of MCing. We’re all thrilled that Peter Watts won a Hugo for his story in New Space Opera 2 and Peter’s speech thanking Jonathan Strahan, editor of the anthology, was nice. We also enjoyed George R R trying to run off with a Hugo he was presenting and Robert Silverberg’s quips about editors and wombats!
Finally, it was off for one final evening in the Hilton Bar accompanied by Peter V Brett to join Jennifer Fallon and Glenda Larke, Stephanie and HarperCollins account manager and fantasy fan extraordinaire Theresa Anns. Then bed!
Today we’re off to Mary V’s panel at 10 on Writing Strange Lands, and then dropping into Nicole Murphy’s reading, where she tells us she will not be reading from page 310!

Sneak Peek: The Undivided by Jennifer Fallon

Catch up with Jennifer Fallon all weekend at AussieCon4.If you can’t make it down, here’s a sneak peek at Jennifer’s upcoming new book, first one in new series The Riftrunners!

‘It shouldn’t be so easy to take an innocent life.’ Amergin cast back his mind, trying to pinpoint the moment in time when taking a life had moved from being a moral dilemma to a political necessity.
‘We’re not going to kill them. We’re going to divide them,’ Marcroy Tarth said. ‘Send one of them away. Somewhere he’ll never be found. Or at least, not found until the Undivided can be replaced with something less dangerous.’ Then he added with a thoughtful frown. ‘We’ll need to do it somewhere there are no witnesses.’
The Druid stared at the sídhe for a long moment. His sharp features were inhumanly pretty; so familiar and yet so alien, his long, straight blond hair, tucked behind his sharply pointed ears, tinged blue by the cave’s magical light. Despite his apparent youth, he seemed even more sinister than usual in the flickering Faerie glow illuminating the icy grotto where this perilous rendezvous was taking place.
Amergin shook his head. ‘I don’t know, Marcroy …’
‘Very well,’ the sídhe lord said with a shrug. ‘I will report back to the Brethren with your answer. I’m sure when I tell them I was unable to find a bloodless way to remove the threat of the Undivided twins destined to destroy our kind, they’ll understand. I mean,’ he added with a sardonic smile, ‘you know how forgiving and understanding the sídhe elders can be.’
‘I’m not trying to anger the Brethren,’ Amergin said, feeling trapped. ‘And you know I would never do anything to endanger your people. But you must understand… I am a Druid. I am sworn to protect my people. If anyone should discover …’
Marcroy smiled patronisingly, a smile made worse by the fact the sídhe lord looked like a lad and
not a creature who’d lived longer than Amergin cared to contemplate. ‘The whole purpose of opening the rift without witnesses, brother, would be to prevent discovery, would it not?’
‘You’re asking me to betray my own race.’
‘On the contrary. I am offering you a chance to save your race. The Brethren have spoken. They have seen what will happen in other realms, where RónánDarragh have grown to manhood, united. They will not permit it to happen in our reality.’
Amergin was shocked by what Marcroy seemed to be suggesting. ‘Are you telling me the Brethren would kill the boys, themselves?’
‘They can’t,’ Marcroy said. ‘You know that. Orlagh’s treaty with your kind protecting the Undivided binds all the sídhe races. But there are ways around such oaths.’

Read on

IF LINK DOES NOT WORK, COPY AND PASTE THIS INTO YOUR BROWSER: http://www.voyageronline.com.au/books/extracts/V15_UNDIVIDED.pdf