• Fiona McIntosh: Voyager Author of the Month

    Fiona McIntosh was born and raised in Sussex in the UK, but also spent early childhood years in West Africa. She left a PR career in London to travel and settled in Australia in 1980. She has since roamed the world working for her own travel publishing company, which she runs with her husband. She lives in Adelaide with her husband and twin sons. Her website is at www.fionamcintosh.com.

    Her latest book, The Scrivener's Tale, is a stand-alone and takes us back to the world of Morgravia from her very first series, The Quickening:


    About The Scrivener's Tale:

    In the bookshops and cafes of present-day Paris, ex-psychologist Gabe Figaret is trying to put his shattered life back together. When another doctor, Reynard, asks him to help with a delusional female patient, Gabe is reluctant... until he meets her. At first Gabe thinks the woman, Angelina, is merely terrified of Reynard, but he quickly discovers she is not quite what she seems.

    As his relationship with Angelina deepens, Gabe's life in Paris becomes increasingly unstable. He senses a presence watching and following every move he makes, and yet he finds Angelina increasingly irresistible.

    When Angelina tells Gabe he must kill her and flee to a place she calls Morgravia, he is horrified. But then Angelina shows him that the cathedral he has dreamt about since childhood is real and exists in Morgravia.

    A special 10th Anniversary edition of her first fantasy book, Myrren's Gift, will be released in December!

     

     

Go for the Unrealistic: Five Tips for Emerging Writers

Learning to fly by Silesti ( http://silesti.deviantart.com/ )

It’s unrealistic to bend a piece of metal and fly people over the ocean in it but fortunately the Wright brothers didn’t think so. – Will Smith

A lot of advice for emerging writers centres on ‘being realistic, like you can’t get an agent if you haven’t published, you can’t get a major publisher without an agent, writing is very hard work, only write what you know, what $$$, rejection du jour, it’s tricky for Australian authors to publish their works overseas, keep your day job  . . .  and many more. Such advice is enough to sink an emerging writer into a bout of depression! Is the advice realistic? Probably. Do you let that guide you? No!

I highly recommend these five unrealistic steps to landing the publishing deal of your dreams.

Step #1 Forget about being realistic. Stop thinking about the practical advice and the ‘cold hard facts’ and develop your craft. If you have a dream, something you are enthusiastic about, develop the skills to deliver it. All the storytelling talent in the world won’t fly if you don’t have the skills to communicate your vision. Develop them!

Step #2 Think in terms of component parts. You don’t set out to write a 500,000 word, three book series. You don’t even set out to write a single novel. You get up in the morning and you write five hundred words. You do that for a time and get some confidence and maybe after a while you find yourself writing a thousand words a day. Then two thousand. In a year, you have a solid manuscript. In ten years, you have more than you dreamed possible.

 Step #3 Say you can do it. He who says he can and he who says he can’t are both correct. Confucius. Think about that for a while.

 Step #4 Know your motivations. There is no ‘right’ or ‘wrong’ motivation for your artistry. It might be that you want to prove something to the world. You might want to feel of value. You might be obsessed with telling a story that will touch people’s hearts. Whatever your motivation is, know it. Know thyself. The awareness of what drives you is your touchstone. Use it.

 Step #5 Decide, devote, deliver. Just decide that you will do it, that you will achieve your dream. Devote your whole heart to it, and allow for compassion for others and the planet to be part of that devotion. Deliver what you promise to yourself and to others—your daily word count, your article deadline, your publisher’s request.

Bonus tip. Remind yourself to go for the unrealistic. I mean, what if we’d listened to any of this ‘realistic’ advice?

 Everything that can be invented has been invented.  Charles H. Duell, an official at the US patent office, 1899

 The singer (Mick Jagger) will have to go; the BBC won’t like him. -First Rolling Stones manager Eric Easton to his partner after watching them perform.

 I’m sorry, Mr Kipling, but you just don’t know how to use the English language. The San Francisco Examiner, rejecting a submission by Rudyard Kipling in 1889

 You better get secretarial work or get married. -Emmeline Snively, director of the Blue Book Modelling Modelling Agency, advising would-be model Marilyn Monroe in 1944.

 With over fifteen types of foreign cars already on sale here, the Japanese auto industry isn’t likely to carve out a big share of the market for itself. Business Week, August 2, 1968.

 There will never be a bigger plane built. – A Boeing engineer, after the first flight of the 247, a twin engine plane that holds ten people.

 If anything remains more or less unchanged, it will be the role of women. David Riesman, conservative American social scientist, 1967. (Of boy!)

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One Response

  1. I think this is top advice (as long as it is taken with a grain or two of practicality). Many people told me that I couldn’t do what I have done with my writing and I have proved them wrong. But it does take hard work, persistence (a bit of bloody mindedness) and a little bit of realism. Being completely unrealistic can lead to some disappointments. Some of the stories that I read as part of the Stringybark Short Story competitions really should never have seen the light of day. But that doesn’t mean that the writer has no potential. They just need to be persistent and seek good critical comment.

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