This is no longer the case.
A contemporary villain, like the shape-shifting Daos (pictured left) from Quantum Encryption, is fully fleshed out and has all the ingredients that makes a good hero—they are on a journey, they have strong motivations, much is at stake, much is risked, the choices are hard, they believe in their cause and they are believable to the reader. In this way, the villain is just like the hero/heroine only they have contrary goals/moral/cultural conditioning. The writer these differences and uses them to challenge, test and block our hero. This only rings true if the villain is authentically formed and fully actualized. These villains come in many forms.
The Shadow Villain. Like Gollum in LOTR, this character represents the ‘dark side’ of the hero/heroine. He is a nemesis but a personal one. The readers ‘gets’ where he’s coming from—boating accident leads to finding a ring that haunt him for the rest of his life. This kind of villain can be a key player in the story, elucidating the history, world building and nature of an ‘evil’ object (the power of the one ring). In the end, this shadow villain may guide the hero through the darkness and like Gollum, succeed in the quest, even unintentionally, where the hero could not. The chance for redemption is always present. We are saddened by their demise.
The Betrayal Villain. Like Cyper in the Matrix or Darth Vader in Star Wars, this type of villain was once on our hero/heroine’s side. As betrayer he creates the opportunity to do bad things AND tell the ‘other side’ of the story. The reader gets to hate this one particularly because it feels like they had a choice and made the wrong one—to go against our hero. The chance for redemption is present up until the end. If they make the ‘wrong’ choice, we cheer their demise. Standing ovation.
Super villain. Like Sauron in LOTR, the Dark Side of the Force in Star Wars, or the Machine Mind in the Matrix, the super villain is all powerful. There is an impersonal quality to them, like a force of nature. We do not ‘know’ them unless they have a representative with a growth arc or history (Darth Vader, Agent Smith). Only through these individuals is the super villain accessible in a personal way. As a force of nature, the super villain is the obstacle for the hero/heroine and one that is usually woven into the world building.
The Anti-Hero. Like Battlestar Galactica’s Number Six and Patrick Süskind’s Jean-Baptiste Grenouille from Perfume, these are serious ‘villains’ but the story is told from their POV. Sometimes they do ‘bad’ things (terrible things) but only to ‘bad’ ( like Dexter). In this case we love that justice is served. They may also be bad, or mad, and do terrible things for no good reason at all, but we are riveted to their story because it’s so interesting. The anti-hero is a way to tell the villains side of the tale while suspending judgment. The concept of the anti-hero is discussed more on Writing Excuses, a great resource. Also see my notes from a recent hero/villain workshop.
Who is a favourite villain on your bookshelf right now? In film? I’d love to hear about them. Comments welcome.
Filed under: Author guest blog, Fab films, Fab TV, Kim Falconer, Popular culture | Tagged: battlestar galactica, dexter, Kim Falconer, Lord of the Rings, matrix, movie, Quantum Enchantment, Star Wars, television, writers on writing |