• Fiona McIntosh: Voyager Author of the Month

    Fiona McIntosh was born and raised in Sussex in the UK, but also spent early childhood years in West Africa. She left a PR career in London to travel and settled in Australia in 1980. She has since roamed the world working for her own travel publishing company, which she runs with her husband. She lives in Adelaide with her husband and twin sons. Her website is at www.fionamcintosh.com.

    Her latest book, The Scrivener's Tale, is a stand-alone and takes us back to the world of Morgravia from her very first series, The Quickening:


    About The Scrivener's Tale:

    In the bookshops and cafes of present-day Paris, ex-psychologist Gabe Figaret is trying to put his shattered life back together. When another doctor, Reynard, asks him to help with a delusional female patient, Gabe is reluctant... until he meets her. At first Gabe thinks the woman, Angelina, is merely terrified of Reynard, but he quickly discovers she is not quite what she seems.

    As his relationship with Angelina deepens, Gabe's life in Paris becomes increasingly unstable. He senses a presence watching and following every move he makes, and yet he finds Angelina increasingly irresistible.

    When Angelina tells Gabe he must kill her and flee to a place she calls Morgravia, he is horrified. But then Angelina shows him that the cathedral he has dreamt about since childhood is real and exists in Morgravia.

    A special 10th Anniversary edition of her first fantasy book, Myrren's Gift, will be released in December!

     

     

Maria Quinn wins Norma K Hemming Award

Voyager is pleased and proud to announce that the inaugural Norma K Hemming Award has been won by Maria Quinn for The Gene Thieves.

The Gene Thieves

The inaugural Norma K Hemming Award for excellence in the exploration of themes of race, gender, class and sexuality in Australian speculative fiction was won by  Maria Quinn (1942 – 2010) for her novel The Gene Thieves , published by HarperVoyager in 2009. After working in the US and Canada, she moved to a London agency as Creative Director. Returning to Australia, she became a magazine editor and feature writer. Her television credits include producing the national program King’s Kitchen. She won the 2007 Todhunter Literary Award for short story and was the recipient of a prestigious Varuna fellowship. The Gene Thieves was her first novel.

Most Australian early post-WWII SF authors (such as Frank Bryning, Wynne Whiteford and A Bertram Chandler) were published overseas. So was Hemming at first. Fan historian Graham Stone recalls that the first of her sixteen (known) stories Loser Takes All appeared in a 1951 edition of the British magazine Science Fantasy as by N K Hemming. To be published anywhere In the 1950s you had to be male, or at least appear to be male. Norma Hemming outed herself as a woman to her readership at the first Australian science fiction Convention, Syncon 1952. In addition to her stories she also wrote for newspapers, fanzines and importantly for the
stage, writing Australia’s first science fiction plays. For nearly forty years after her death she was a footnote for magazine bibliographers until, in 1998, Sean McMullen and Russell Blackford produced a detailed biography and analysis of her work in Fantasy Annual No 2, followed a year later by publication of the book ‘Strange Constellations: A History of Australian Science Fiction (Contributions to the Study of Science Fiction and Fantasy)’ by Russell Blackford, Van Ikin and Sean McMullen (1999). This important literary reference is a critical survey of the history of Australian science fiction from its nineteenth century origins to the year 1998.
The Norma K Hemming Award for excellence in the exploration of themes of race, gender, class and sexuality in science fiction was established by the Australian Science Fiction Foundation in her honour. A collection of her stories by Dr Toby Burrows, head of the scholars centre at the University of Western Australia, was launched at Aussiecon 4, which is also the venue for a staged reading in the style of a radio play from the last of Norma Hemming’s five plays The Matriarchy of Renok.

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